Good reads – Page 9 – Cristina Sanders' blog

Sorrow and Bliss—book review

Sorrow and Bliss, by Meg Mason

Sorrow and Bliss is a lively and intelligent book. The author uses her vocabulary well and can summon up a hundred ways to describe ‘awkward’. A lesser author might tell you that a couple sat on sofa and she felt awkward. Mason says: ‘He was sitting at one end of the sofa. I sat down and folded my legs underneath me. Facing him, the posture felt beseeching and I put one foot back on the floor.’ How wonderful is that complicated word–beseeching, and how perfectly it describes this character. There are words and descriptions to admire all thorough this book. ‘The Germans have a word for heartbreak, Martha. Liebeskummer. Isn’t it awful?’

Catching the Current–book review

Catching the Current, by Jenny Pattrick

If you have read and enjoyed Jenny Pattrick’s latest, Harbouring, do go for a romp around her backlist. They’re consistently good. I’ve just reread Catching the Current and enjoyed it the second time around even more than in 2005 when it was first published.

This is a prequel to Denniston Rose, but reads as a stand-alone story based on the early life of Faroe Islander, Conrad Rasmussen—known to Denniston fans as Con the Brake. He’s tall, fair and handsome, playful, talkative, a renowned singer and teller of tales, and pretty full of himself. He excels at everything he turns his hand to, a man not to be ignored. He’s quick to temper and loyal to his friends—a lover, a hero.

Worse things happen at sea–book review

Worse things happen at sea, by John McCrystal

Worse things happen at sea is probably the most appropriate book title ever. Whatever catastrophe happens on land you can crank up the Richter scale of disaster if it happens out on the briny. Flood, fire, psychopath, injury, grandstanding, storm, starvation, getting lost – put a ship in the background of any of these and they become so, so much worse.

Lessons in Chemistry—book review

Lessons in Chemistry by Bonnie Garmus

Woman’s liberation in the 1960s has never been so powerfully portrayed as in this book, where a woman is up against the male world of scientific research. Elizabeth Zott wants to study abiogenesis for God’s sake, no less than the origins of life, but that goes pear shape because she’s a woman and the very worst obstacles are thrown in her way along with endless casual misogyny. So she makes her name on the telly, teaching cookery as you’ve never known it before – as a science.

All the light we cannot see—book review

All the light we cannot see, by Anthony Doerr

This is another war story (they are so unavoidable). It’s the story about the frog in the pot of water: the one where the frog will jump out of boiling water, but won’t take action if the heat is applied slowly, and so cooks. Here it’s used as a metaphor for complacency as the Germans move in and occupy France, and also, I think, of the German people themselves becoming immune to the violence building in their own country. Interesting in that we are invited to have sympathy for both the main characters as victims of war, even though one is a blind French girl and the other a partly radicalised Nazi youth. If you’ve wondered how nice kids were turned into Nazis, here it suggests they were put in the pot when the water was cool and inviting, and were cooked from the inside out.

Harbouring–book review

Harbouring, by Jenny Pattrick

I’ll admit to being nervous in approaching this book. I love Jenny Pattrick’s rousing stories of colonial New Zealand communities and I’ve walked through the mud with her characters. Like many others I was introduced to her books through Denniston Rose and Heart of Coal and Denniston became part of my mental map. The same thing happened with Landings, and Catching the Current. Pattrick offers lively characters as guides to explore our colonial history.

Her new book, Harbouring, is set amid the NZ Company’s arrival in Wellington and the establishment of the colony there. Hence the nerves. Two years ago I published Jerningham. It’s the same story, wrought from the same material. What would an expert storyteller like Pattrick make of it?

Remember Me – book review

Remember Me, by Charity Norman

Ah! Charity Norman. I wanted a book to be hooked on and I knew her latest, Remember Me, would deliver. I’ve read dozens of books over summer and only a few of them have made it to review. The rest, ho hum, won’t hit these pages because they simply didn’t grip me. This blog is meant to be a collection of books I’ve enjoyed! So, thanks Charity, for getting me back on track.

The Lincoln Highway—book review

Lincoln Highway by Amor Towles

The Lincoln Highway follows Amor Towles’ masterpiece that is A Gentleman in Moscow, which I highly recommend. That’s a hard act to follow and this new novel is bigger and more ambitious with a wide cast of characters, multiple viewpoints and a storyline that deliberately goes in the wrong direction. Where the Moscow gentleman was confined to one hotel for almost the entire book, this 580 page monster of a story roams halfway across America.

It is in the style of a classic 1950s American roadie and features a group of footloose young men and a couple of cars.

Waitapu—book review

Waitapu, by Helen Waaka

I read Waitapu over a couple of leisurely evenings and loved it. It’s a beautiful book, elegantly written and so evocative of every small town in New Zealand that we know from a drive past, or a dip into when we visit a grandparent. I remember going with a Wellington friend home to small town NZ and this takes me back there, the interconnected community, the talk across the fence, the visits. There was a sort of pride that everyone knew each other but an embarrassment, too. My friend couldn’t wait to be away again.

Loop Tracks — book review

Loop Tracks, by Sue Orr

I’d have bought stacks of Loop Tracks for my women friends for Christmas if most of my wf hadn’t already read it and recommended it to me.

Sue Orr has hit the zeitgeist with this story of a 50-something woman living on a Wellington hill and bringing up her socially awkward teenage grandson. There are many topics in the book, which begins with the woman as a sixteen-year-old girl on the verge of an abortion which she decides against, a decision that comes to define her life. The loops run through themes of women’s rights, shame, love, trust, control, freedom and responsibility like a loop pedal on the sound track of a young woman’s guitar.

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