Like the gorgeously lush cover, this book is almost too sumptuously overgrown with luxuriant succulents to be true. If that sounds a mouthful, you should read Dalton’s descriptions of the Australian outback.
Molly, our spunky but naive child heroine, walks away from the bombing of Darwin and I was expecting Australian desert. But she walks through many variations of the cover picture. “… a stand of black wattles and soap trees with flat round black fruits and then down an avenue of trees with mottled cream-grey bark and stiff leaves exploding with small ripe red fruits. These tree clusters are all canopied by a dense climbing vine with orange-yellow flowers shaped like starfish …” I’m wondering what to make of this dreamy psychedelic landscape and the vividness of the descriptions, which are offered in stark contrast to the city in the background. The voice is often passive: “Seen from the orange-red sky above and looking down and closer in and closer in, they are three wanderers crossing a vivid floodplain cut by sinuous rivers and wide freshwater channels dotted with lily-fringed waterholes. The sun low and honeyed.” (Love that repetition and the honeyed sun.)
It seems a strange response to trauma. Unexpected, perhaps intriguing.Continue reading “All our Shimmering Skies — book review”