Pātea Boys – Book review

Pātea Boys, Ngāti Pātea, by Airana Ngarewa

I want to give this book to all the manu-ing bros and cuzzies who are living overseas to remind them what home feels like on the skin. Listen to me, I’m not even Māori. Airana Ngarewa just has that effect on me.

These short stories in Pātea Boys (Ngāti Pātea in the te reo version) are mostly funny yarns, bookmarked by vaping aunties, drenched with boys leaping into water for the sheer hell of it. Airana makes Pātea sound like the best place to spend a childhood, as timelessly cool as its number one hit: Poi E which has taken up residence on loop in my head and threatening to break through at inappropriate moments (actually, perhaps no moment is inappropriate for Poi E). There’s a tint of rose-coloured nostalgia cloaking the old town: harmless fun, boys besting each other: the meanest manu, the fastest race, the most near-death experiences, best prank. But it’s not all a laugh. We go back to a young girl running light-footed through forest in the dark, an ancestor of these kids, one who slips past the colonial forces to light a signal fire. There’s a sentient historic waka sunk on the river bank finally rescued from the mud after over a century by a couple of idiotic, bantering kids. Life is not all dive bombs and kai, but these are the things remembered.

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James – book review

James, by Percival Everett

Do you think you know the story of Huck Finn? Think again. In this marvelous book by Percival Everett, the adventure is turned on its head and you find yourself reading a totally different story that seems to come tumbling out from between the lines of Twain’s. It’s still an adventure story, in which a boy called Huck and a slave he calls Jim run away by floating down the Mississippi river and get into all sorts of trouble, but this time the point of view belongs to James. The pair become true friends, they look out for each other, care for each other, discuss ideas and try to see the other’s point of view, but the world is different when the one telling the story is a piece of property which needs to be returned to its owner.

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Earth – book review

Earth, by John Boyne

This post has been moved to Books that don’t make the cut. Sorry, John Boyne fans (of which, sometimes, I am one).

John Boyne’s Earth follows Water which I thought was fabulous. Unfortunately in Earth, Boyne returns to the emotionally dysfunctional narrator style he used in his horrible Ladder to the Sky (again, not one of my recommendations) where charm, gorgeous looks and undeniable talent are a facade over a morally corrupt man. Good writing, but again, not characters I want to spend time with and no lessons to learn here, except to recommend to girls who are raped to never, ever, to press charges or you will suffer truly awful humiliation and the ruin of your life may be revisited on you tenfold.

Can’t recommend this as a good read.

My Friends – book review

My Friends, by Hisham Matar

Any book that offers a description of a face ‘like a landscape liable to bad weather‘ has got my love. This is a writer with poetry in his soul. ‘We shared the city the way honest labourers share tools,’ he says of two young men finding their way around London. He describes a nurse who ‘would gently tuck in my bedsheet like a skilled cook filleting a fish.’ This is classy writing.

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Whatever Love Means – book review

Whatever love means, by David Baddiel

Whatever Love Means is an easy enough read about two couples in London around the turn of the millennium, the boys best mates, one married, the other a bit of a predator, with all the ingredients Baddiel seems to think we want to read about: sex, love, death, twists, secrets. Def a holiday read, there’s nothing much very philosophical here, no bigger picture other than creepy Vic having an affair with his best friend’s wife, and an unpicking of why her car crashed into a wall. “Whatever Love Means”, of course, is the famous line of Prince Charles’s in response to his engagement to Di – a stunningly cold response to love, which sums up the book really. None of these characters seem to have discovered the meaning of love. So why has it made my good books list? Well, I enjoyed the obviousness of it. Also, I think the stilted and stifled emotions of the characters deserve exploring. A good book, perhaps, for students of creative writing to unpick. Discuss: How might different people receive the book; what does the author want us to feel; is he in control of his characters?

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The Anomaly–book review

The Anomaly, by Hervé Le Tellier

Such a brilliant premise. An Air France flight from Paris to New York hits unexpected and severe turbulence on a routine flight, dramatically bumps through towering cumulonimbus, and lands with shaken passengers, but nothing seemingly untoward. This is in March. In June, the plane lands again. The same plane. Exactly. Flight 006, with Captain Markle at the controls and the passengers: writer Victor Miesel, French hitman Blake, a gay Nigerian singer called Slimboy, emotionally complex Lucie and others. All duplicates. WTF? asks the control tower.

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Under a Big Sky–book review

Under a Big Sky, by Tim Saunders

I’ve been back with Tim and his family for another farm holiday and it’s been great. I spent about a week in the book this time, not much has changed since I met them all in This Farming Life, but I think I will always enjoy the shepherds dragging astonished sheep from their pens for a morning shear and the way the magpies gargle with laughter when his dad tells a joke, and the big bird, Kāhu, who clutches the new day in rust coloured talons. These are the author’s expressions, of course. Who else could write so evocatively about daily life on a farm?

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Light Perpetual – book review

Light Perpetual, by Thomas Spufford

Francis Spufford has surprised and delighted me once again. How do you follow a remarkable book like Golden Hill? By writing something completely different, it seems – different genre, different voice and style, different format. You’d imagine that would point to a different audience but I realise it is the integrity of Spufford’s writing that I love every bit as much as the rollicking story that made Golden Hill such a hit for me. I’m sure Light Perpetual will reach all Spufford’s previous fans and garner a legion of new ones.

This is not a rollicking story. It is dysfunctional as a story, if you expect (as I do) a story to follow the adventures and psychological development of one or two main characters. Spufford kills off all his characters in the first chapter.

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