I read Waitapu over a couple of leisurely evenings and loved it. It’s a beautiful book, elegantly written and so evocative of every small town in New Zealand that we know from a drive past, or a dip into when we visit a grandparent. I remember going with a Wellington friend home to small town NZ and this takes me back there, the interconnected community, the talk across the fence, the visits. There was a sort of pride that everyone knew each other but an embarrassment, too. My friend couldn’t wait to be away again.
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Hokitika Town by Charlotte Randall
A while ago someone told me their cousin/sister-in-law (can’t remember) Charlotte Randall wrote New Zealand books and I so wish I could remember who it was because I want to thank them profusely. I’m reading my way through all Randall’s novels and thoroughly enjoying every page.
The Curative is set in Bedlam and is funny. I’ll reread it before reviewing, but thoroughly recommend it. The Bright Side of my Condition , again, is bleak and hilarious. Both of these books are told by people who, after some life-changing event, have little of anything left other than the insides of their heads but what goes on there is imaginative as hell. Randall seems to enjoy exploring the inner madness of men.
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Rangitira, by Paula Morris
What a great book to follow my previous read, This Thing of Darkness. Both Thompson and Paula Morris’s book relate to the 19th Century notion of taking indigenous people from distant lands back to England to “civilise” them and show them off as curiosities. In Thompson’s book, Captain FitzRoy uplifts three Fuegians to ship home, and in Morris’s book the Rangitira travel voluntarily to England. Whichever way you look at it, this is manifest colonial exploitation.
Paula Morris is a descendent of Rangitira’s narrator, the wonderful Paratene Te Manu, Ngāti Wai, and she writes her tupuna with a sure voice. He comes across as a thoughtful and gracious man who, in 1886 while having his portrait painted by Gottfried Lindauer, relates the story of his voyage to England some twenty years before.
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This pākehā life — an unsettled memior, by Alison Jones
What does it mean to be Pākehā?
There are hundreds of answers, all of them right. I am Pākehā. I know it, I feel it, though I wouldn’t presume to categorise anyone else, and I stand to be corrected at any time. To me, being Pākehā assumes some kind of relationship with Māori (even as simple as not-Māori) without necessarily defining what that relationship is.
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