The Telegram by Philippa Werry
I love a good YA fiction that goes deep, and The Telegram by Philippa Werry certainly delivers. A young reader will enjoy the story of Beatrice cycling around her small kiwi town on her bike, changing from a schoolgirl to a young woman with the harrowing responsibility of delivering telegrams during the first world war. She makes and loses friends, delivers news of celebration and (more often) tragedy to families, writes letters as she waits for the boy next door to return from the front, and celebrates the war’s end just as the ‘flu rolls into town. Continue reading “The Telegram – book review”
Everyone Brave is Forgiven by Chris Cleave
I read this last year and didn’t review it at the time because of my self-imposed ban on war as a setting. I bang on about it, but it does worry me that our go to narrative for intense emotion is war. Is this why we’ve been systematically at each others throats since the dawn of time? Because we crave powerful emotion?
With that off my chest, I have to say this is a terrific story. Continue reading “Everyone Brave is Forgiven – book review”
Birds without wings by Louis de Bernières
God, this is horrific. If you’re looking for a sweet but deep sequel to Captain Corelli’s Mandolin, which is what the bloke in our book club thought he was giving us, this is way out of your depth.
This is Turkey before, during and after WWI, the waning years of the Ottoman Empire. I don’t voluntarily read war stories, but this was for book club and having been brought up on the glorious allies, I was interested to read the perspective of the other side’s glorious allies. But I was sickened by the brutality and inhumanity in this story. De Bernières writes with such clarity and perception there are images painted in my head I will never wipe clean. Continue reading “Birds without wings – book review”
Evie’s War, by Anna Mackenzie
A fictionalised diary is a difficult way to tell a story because although you hear the intimacies of one person’s mind, you get no one else’s point of view and none of the direct action. The story is delayed—you are told about events afterwards, once the immediacy has gone. It’s a hard format to pull off. Could Evie hook me? Continue reading “Evie’s War – book review”