The Covenant of Water – book review

The Covenant of Water, by Abraham Verghese

“Fiction is the great lie that tells the truth about how the world lives!” says a character in the The Covenant of Water. That’s an oldie but a goodie and is perhaps is an apt quote for this book. I’ve never been to India. But with Verghese’s story it felt as though I visited every evening, in that witching hour before sleep, when a book takes me somewhere else. Reading Verghese, as I experienced before with his first novel, Cutting for Stone, is an immersive experience.

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The Fraud – book review

The Fraud, by Zadie Smith

The Fraud is an ambitious book, not one to take lightly. It encompasses the true story of an identity fraud trial in the 1800s, where a man returning from the colonies supposes to be not an East End butcher, but the lost son of a wealthy family. The family say he isn’t. Others, including a loyal black servant and the masses, believe he is.

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English Passengers – book review

English Passengers, by Matthew Kneale

This novel, like most colonial fiction stories told in the last 25 years, looks back at history and describes why the English should feel abhorrence and shame. I found the story interesting – the premise of a group of miss-matched individuals on a voyage to Tasmania and back is a good hook for me – but there was something here I found a bit off, and I’m trying to put my finger on it. I think, to me, it seemed the author, for all he researched events and geography well, was an outsider. He wasn’t wholly present in the period or the location. Perhaps we have woken up since it was published in 2000. I hesitate to use the word ‘flippant’ but it did feel the purpose of the story was to entertain us with the terrible things those crazy colonials did back in the day rather than explore something more nuanced: how these potentially good men could be so blind, perhaps; or what these psychologies meant to the people there, on the ground. The Aboriginal part of the story is told in first person by a boy whose mother is taken, chained and raped by an Englishman and the boy is blond. I’m not sure I trust Kneale’s telling of his voice and culture; I was always aware of the English pen behind the voice as I read, and I cringed, occasionally.

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Empire City

Empire City by John E Martin

It would be silly to call this a ‘review’ of Empire City, as it will take me a few years to get through this tome properly, but I am so happy to have it, to drool over it and to put it on my desk as a kind of dual use research/paperweight. I bought it last week from Unity in Wellington on a recommendation from an historian without a second thought and then realised it weighed nearly 1.7kg and I was on a trip around the motu with only carry-on luggage. Worth every lug.

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Kāwai – book review

Kawai, by Monty Soutar

We seem to have been waiting such a long time for this book. Kāwai is truly groundbreaking and I hope that it clears the way for more stories in this historical and cultural setting. So what’s the big deal with Kāwai and why has it been so phenomenally successful?

Firstly, no one has published such an epic saga of Māori life before, and the timing now is impeccable. It seems Soutar has been coming all his life to be writing this story now (for such a time as this), when not only does he have the necessary contacts and learning and experience, but there is an audience with a huge appetite for stories and discussions of our history and people. Just look at how the bestsellers lists over the past three or four years have been dominated by things Māori. We’re open and primed for a big, readable Māori story that would have been unthinkable twenty, even ten years ago. And here it is and it’s fascinating.

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Through the Lonesome Dark–book review

Through the Lonseome Dark, by Paddy Richardson

It’s the early 1900s and Pansy is living poor on the West Coast in Blackball, which apparently is a charming town these days. Pansy’s a smart kid. Smarter than her pa. Today you’d hope this would be a positive thing and she would be given every opportunity to make use of her talents, to be educated and offered the chances that would help a small town girl rise to fulfill her potential. You’d hope that someone would notice the bruising on her face and not turn away.

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A Fish in the Swim of the World – book review

A Fish in the Swim of the World, by Ben Brown

Ben Brown (Ngāti Mahuta, Ngāti Korokī, Ngāti Paoa) is a story teller. His stories are philosophical and luminous and funny and intellectual and they plunge from one mood to the other without missing a beat. I spent a week in a van driving around Taranaki with him recently and our conversations changed me, though it’s hard to say exactly how.

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Reimagining a colonial past in Manhattan

Oratamin meets Stuyvesant

In the Natural History Museum in New York is a diorama that has two shots at telling history, emphasising the fluidity of historiography. It’s an unexpected display in a nation that seems to have a very strong idea of its historical story, with legends of the founding fathers and the war of independence and the civil war circulating ad infinitum. This is a culture that celebrates success. And yet, here is evidence in prime position of this great national institution that states: we got this wrong.

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Catching the Current–book review

Catching the Current, by Jenny Pattrick

If you have read and enjoyed Jenny Pattrick’s latest, Harbouring, do go for a romp around her backlist. They’re consistently good. I’ve just reread Catching the Current and enjoyed it the second time around even more than in 2005 when it was first published.

This is a prequel to Denniston Rose, but reads as a stand-alone story based on the early life of Faroe Islander, Conrad Rasmussen—known to Denniston fans as Con the Brake. He’s tall, fair and handsome, playful, talkative, a renowned singer and teller of tales, and pretty full of himself. He excels at everything he turns his hand to, a man not to be ignored. He’s quick to temper and loyal to his friends—a lover, a hero.

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Harbouring–book review

Harbouring, by Jenny Pattrick

I’ll admit to being nervous in approaching this book. I love Jenny Pattrick’s rousing stories of colonial New Zealand communities and I’ve walked through the mud with her characters. Like many others I was introduced to her books through Denniston Rose and Heart of Coal and Denniston became part of my mental map. The same thing happened with Landings, and Catching the Current. Pattrick offers lively characters as guides to explore our colonial history.

Her new book, Harbouring, is set amid the NZ Company’s arrival in Wellington and the establishment of the colony there. Hence the nerves. Two years ago I published Jerningham. It’s the same story, wrought from the same material. What would an expert storyteller like Pattrick make of it?

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