The Night She Fell–book review

The Night She Fell, by Eileen Merriman

Eileen Merriman is delightful. I shared accommodation with her at a book festival last year and we sat by the fire in the evenings drinking wine and chatting about writing, YA books, families, life. I should have locked my door.

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We Were Liars – book review

We Were Liars, by e lockhart (her l/c)

I read this soon after the fatuous Pineapple Street, confirming that the joy of reading (of course!) is all in the writing rather than the setting. This story, again, features wealthy New Yorkers with more privilege entitled on them than seems fair. This family have their own island on which they spend summer; grandfather and the aunts all in separate houses through which the kids wander. But where Pineapple Street struts the flashy surface of monied lives, We Were Liars goes deep with plot and character and story. It’s a good story, a coming of age and a mystery you don’t realise is a mystery until things stop adding up.  Here, our girl, Cadence, introduces us to her three companions and lets the story rip.

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Everything is Beautiful and Everything Hurts –book review

Everything is Beautiful and Everything Hurts, by Josie Shapiro

Partly, this book is the story of a woman running the Auckland marathon. There’s a lot of determination, a lot of pain, much questioning and self-doubt. It is a tactical race, and we get the feel early on that our runner, Mickey, knows what she is about and is in it to win it. This race runs alongside the story of how our woman came to be here, next to the ocean, running her heart out. I thought the marathon was superbly written (and run) and I was with Mickey through all the pain and the euphoria.

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Pineapple Street – book review

Pineapple Street, by Jenny Jackson

I asked around for a read that was entertaining and not at all intellectually challenging and Pineapple Street delivered, certainly on the second point. I’m not convinced that it is “wryly funny” or “acutely observed” as billed, or why it is recommended by the New York Times, except for the fact that it is very New York, but there are plenty of those books about. Some women in a super rich family have angst, worry about money and class and are fearful of the domineering matriarch.

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Polaroid Nights–book review

Polaroid Nights, by Lizzie Harwood

I can rant a day away about the plethora of novels that get their emotional punch by entertaining readers with rape and murder. What sort of twisted society are we that this is offered everywhere we turn? And we justify our enjoyment of it: watched it for the psychological drama, read it for the great writing. You have to say that. You can’t say I loved the excitement of thinking about vulnerable people being tortured.

I read Polaroid Nights over the weekend. Great characters, sparkling writing. But it’s the story of a serial rapist and murderer and the woman he stalks. I asked my publisher (from whose shelves I’d pinched the book) why such a good writer would make up a plot so clichéd. She told me it’s not made up. It’s real.

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The Witching Tide – book review

The Witching Tide, by Margaret Meyer

I thought I’d jump in to the controversy about this book. I read it, not because I like books about witches, but because it got so badly trashed on Nine-to Noon (as reported here) in “the meanest book review of all times,” by Sonja de Friez. Wow. Elsewhere, Sue Reidy says: “The Witching Tide combines meticulous research with a dramatic and memorable story. A dazzling debut.”
So, who is right?

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Atlas, the story of Pa Salt–book review

Atlas, the Story of Pa Salt by Lucinda Riley and Harry Whittaker

“Everything will be revealed” is promised on the cover and the book absolutely delivers ad nauseam, but no worries, if you’re a fan of ‘less is more’ fiction you won’t have made it this far anyway. The Seven Sisters is a voluminous commitment. A terrific series, I would suggest, for when you’re in isolation for six months or have just moved to a new town and don’t have any friends. It’s a marvellously plot-driven story of beautiful, rich, interesting yet uncomplicated people, who jet around the world, find a birthright and fall in love. I’ve reviewed a few of the others here. Yes, I confess I have read all but one and enjoyed them, although still cringing at the ongoing shivers (there are ten shivers in Atlas and five of them run down spines). I finished the story today as I waited with a torn hamstring for hours to see a doctor. I can honestly say, hand on heart, in a hospital waiting room (and on kindle because the paperback is too heavy), this is the perfect book. You can’t start with Atlas, though, because you’ll have no idea what is going on.

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The Paper Palace – book review

The Paper Palace, by Miranda Cowley Heller

This felt like an over-crafted book from the start. We get the climax scene (haha, literally) and then, in dribs-and-drabs, the day that builds up to it and the day that follows, jabbed through with a long (and perhaps irrelevant?) history of the protagonist, her mother, her grandmother, her father – so many back-story characters slowing down the read. I just wanted to skip over them and get back to the main plot.

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Three Woman and a Boat–book review

Three Women and a Boat, by Anne Youngson

Inspired, of course, by Jerome K Jerome’s Three Men in a Boat, but updated and given a gender twist, Three Women and a Boat is a feminist book. All three of the women characters (four, including a young friend) are out in the world without being beholden to, or reliant on men.  They’re complete. There are men around, but the story is not about their relationships, but the women themselves. And there’s a dog like the one in Jerome’s version, who sparks some of the action, as dogs tend to do.

Anastasia has lived most of her life on a canal barge. But she’s ill, needs to take a break for treatments and is looking for someone to take her boat, The Number One, north to the yards in Uxbridge to get overhauled.

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The Seven Sisters — book review

The Seven Sisters, by Lucinda Riley

Yes, shivers run down spines and everyone is fabulously rich, mysterious and beautiful so put aside all hope for a literary experience, embrace the superlatives and read this for the sheer joy of a long and complicated story, well told.

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