The Paper Palace, by Miranda Cowley Heller
This felt like an over-crafted book from the start. We get the climax scene (haha, literally) and then, in dribs-and-drabs, the day that builds up to it and the day that follows, jabbed through with a long (and perhaps irrelevant?) history of the protagonist, her mother, her grandmother, her father – so many back-story characters slowing down the read. I just wanted to skip over them and get back to the main plot.
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Three Women and a Boat, by Anne Youngson
Inspired, of course, by Jerome K Jerome’s Three Men in a Boat, but updated and given a gender twist, Three Women and a Boat is a feminist book. All three of the women characters (four, including a young friend) are out in the world without being beholden to, or reliant on men. They’re complete. There are men around, but the story is not about their relationships, but the women themselves. And there’s a dog like the one in Jerome’s version, who sparks some of the action, as dogs tend to do.
Anastasia has lived most of her life on a canal barge. But she’s ill, needs to take a break for treatments and is looking for someone to take her boat, The Number One, north to the yards in Uxbridge to get overhauled.
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The Seven Sisters, by Lucinda Riley
Yes, shivers run down spines and everyone is fabulously rich, mysterious and beautiful so put aside all hope for a literary experience, embrace the superlatives and read this for the sheer joy of a long and complicated story, well told.
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Hamnet, by Maggie O’Farrell
Yes, you should probably read this because it is lyrical and lovely and is the story of Shakespeare’s dying son Hamnet, who he (apparently) honours as Hamlet, in a round-about way which may be stretching the truth somewhat.
O’Farrell writes passages of such amazingly close detail that I felt my heartbeat slow in the reading. She spends one whole page describing a woman walking two steps. It’s extraordinary.
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