In the Natural History Museum in New York is a diorama that has two shots at telling history, emphasising the fluidity of historiography. It’s an unexpected display in a nation that seems to have a very strong idea of its historical story, with legends of the founding fathers and the war of independence and the civil war circulating ad infinitum. This is a culture that celebrates success. And yet, here is evidence in prime position of this great national institution that states: we got this wrong.
Continue reading “Reimagining a colonial past in Manhattan”