The Bone Tree – book review

The Bone Tree, by Airana Ngarewa

I met Airana at a book festival. He’s a presence – full of youth and energy and a willingness to be in the moment. He speaks the reo in a voice that carries across an audience and compels you to listen. No wonder his debut book is so gripping. I reckon when this guy has a story, you’ll want to sit up and listen.

The Bone Tree is, yes, another story of a dysfunctional Māori family living on the edge. In this case, they’re toppling over. There is little relief and no laughs; it’s the story of the misery of a good kid – I was going to say ‘who deserves better’, but of course all kids deserve better than this. The Bone Tree is narrated by Kauri, also called Cody by fat-tongued white folk, the implication being that his name is never written down. He lives in a totally dilapidated house on a bit of land in the ‘wopwops’. When his mum dies, dad carries her body out to bury her somewhere on the land, and later the kids do the same for the dad. Kauri’s dad, a violent alcoholic, has left him with a bad shoulder and a scar under his right eye, and maybe the boy’s life will be better without him. When the little brother, Black, gets sick, Kauri is the sole caregiver with no sense of how to save him. His main focus is to hide the fact the the kids are alone, to prevent CYPS from taking Black into care. This fear of the authorities underlies the whole story and it is malignant and irrational and yet, for this child, is the bedrock of his belief. He eventually walks to the city and is given food and Māori medicine, and his brother continues to decline.

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Attraction – book review

Attraction, by Ruby Porter

This is a fabulous looking cover, which compelled me to buy Attraction on sight. I dived in and found the writing as terrific as the presentation. I am now going to read everything Ruby Porter writes on any subject at all. Attraction is just such an incredibly stylish read and I loved every page.

I mention the subject of the book, because although the kiwi setting appealed, the story itself wasn’t for me. Three young women are on a coming-of-age roadie around small-town New Zealand, with lots of well-thrashed issues about relationships and sexuality and illness and colonial angst. I felt out of place with the characters, perhaps a little voyeuristic, a bit bored with the self-obsession, and the plot took me nowhere new. Didn’t matter. The fact that these conversations aren’t mine did not in the least detract from the beautiful way Porter expresses herself. You might not love the subject of a painting or way it is framed, but the power of the artist can still blow you away.

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