Cristina Sanders' blog

So continues my love/meh relationship with Ian McEwan. There’s no doubt this is a huge book, a deep immersion into an Englishman’s life from childhood to old age. Our narrator, Roland, is a decade-and-a-half older than me so what happened in his formative years went on to form me. Ian McEwan covers all the big political issues of those years through Roland’s eyes, from war-damaged parents and Arab nationalism to the threat of nuclear destruction, the Gorbachev years and the end of the cold war, women’s liberation, Thatcher, Major, and then Blair’s Britain (remember that huge positivity that the world was, finally, coming right?), and on to financial crises, corporate greed, global warming and covid. McEwan/Roland is intelligent, left-wing and an interesting political commentator. The problem is, though I think I probably like McEwan, I don’t like Roland at all.

Roland is eleven, sent away by his parents to boarding school (his father, the Captain, had them stationed in Lybia with the army) is kissed and fondled by his piano teacher, a woman a decade older who wears a seductive perfume. He is confused and awakened and a few years after the lessons cease he goes willingly, seeking her out, desperate to have sex before the world ends in nuclear destruction. He cannot die a virgin. This is the most obvious lesson in this Book of Lessons, and we see his self-destructive life path in the aftermath of this abuse. He learns other lessons from his parents, the way a mother can abandon a child to keep a marriage or hide a secret, and also from his wife, who vanishes in the second chapter leaving Roland to raise their child alone. A husband and child would cramp her style, she says and tells him not to look for her.